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Lincoln Live Music Scene: Introduction

I’ve recently gotten involved in an interesting online debate about the music scene here in Lincoln, UK. As a matter of fact, I’ve had related conversations about four times in the last week too, with several different people.

It seems that the mythical ‘scene’ is still a perennial favourite subject of musicians in the city, and it’s one to which I’ve devoted an inordinate amount of thinking time over the last ten years, and considerable sweat and toil from about 2002 to 2005.

I walked away from promoting music ‘for the scene’ (arguably, in that this is what I thought I was doing) in the mid 2000’s and haven’t really looked back, except to run things which explicitly support the aims of my various musical projects. There’s usually nothing like a little distance from something with which you were once involved to help your perspective on the matter, so I thought I’d put mine to the test.

The discussions I’ve been party to recently are essentially the same one I remember taking place historically and in which the people who ran the precursors to my own efforts often participated in, I’m told. The scene as a creature is cyclical, and I’m yet to understand why it doesn’t seem to learn from it’s own past and improve it’s present.

I’d like to try and distill the main arguments, issues and approaches, perhaps even as an extension of this rather skeptical post I wrote long ago.

It’s a difficult one to pin down though, as it’s very much relative to the genre you’re working in for a start. I’ve seen regular punk rock shows taking place when almost nothing else is, and I’m sure house DJ’s have been doing fine over the last few years, for instance. I intend to start by narrowing the definition to ‘a scene involving local live acts’, and I’ll make an attempt to define exactly what I’m talking about in the next post.

For now, I’ll start with a series of headings, all of which I’ve come across cited as factors any budding local promoter must consider -

Venues, or the lack thereof…

Audience “apathy”…

Band egos and infighting…

Quality, not quantity…

Promotion, it’s definition, and the way it takes place…

Lincoln’s historical attempts at a scene…

Feel free to comment and add your own headers if you think they’d be worthy of a post, and I’ll do my best to have a think about them too.

 
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REVIEW: Moodie Black – Self Titled

I’m digging this freebie from Fake Four Inc’s Moodie Black, a US two-man team providing savage industrial sounds with a hip hop slant.

Everything is distorted, noisy to the core, but hangs together as an accessible release without shading into art-noise bullshit, and all topped with the MC and producer K’s unusual, demonic rhymes…Less backpacker and more PIL or NIN.

If I wanted to be a critical swine, I’d moan that a couple of the choruses are a bit whiny-emo underneath the production, but that’s more than made up for by the generally innovative lyrical slant. There’s no flailing attempt to back off the fundamental inaccessibility of anything with ‘noise’ in the genre in pursuance of a banger to be found here either, which is a respect winner for me.

Moodie Black’s first offering with Fake Four is pay what you want at Bandcamp, and deserves the couple of listens it takes to get the feel for it.

Great to hear innovative stuff peaking into what’s become a slightly staid market of late, for me at least.

http://www.moodieblack.com/

http://fakefour.bandcamp.com/album/moodie-black

https://www.facebook.com/moodieblackmusic

 
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RECOMMENDATION: Grimes – Oblivion

Grimes was a new one on me until I watched the dream-like video for the tune ‘Oblivion‘, a juxtaposition of macho locker-room and dirtbike event which are seemingly at odds with the waifish Grimes (Canadian Claire Boucher) herself, miming along to her tune -

 

http://www.youtube.com/watch?v=JtH68PJIQLE

I’ll admit, at first listen I thought this was pretentious, trustafundian hipster wank of interest only to art-students, but the 6 million views for the video professed something more significant. Giving it a chance, this song could landed on the soundtrack to Donnie Darko, such are the images evoked by it’s watery layered vocals and nagging pulsating synth line which nod to 80′s minimalist pop such as Eurythmics, and even a little Enya. I’m also sure  the droney robotic voice is used in a Ween tune.

Grimes herself seems like a young (and equally idiosyncratic) version of Bjork, coming across humorous and well read in interviews. On the strength of this offering she’s creating a world well worth exploring in the future.

Its odd for me to listen to anything as vague, effects laden or beat driven as this, and it made me wary as soon as I discovered the parent album was championed by a number of well-known indie blogs.

I got past that though, and think Grime’s is a great example of a creative mind expressing itself armed with a macbook.

Dale H

http://www.grimesmusic.com/

 
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REVIEW: Sadistik and Kid called Computer – The Art of Dying

Sadistik and Kid called Computer – The Art of Dying

This 2010 EP from Seattle MC Sadistik and Chicago’s Kid Called Computer is a rare joy, a collection of tracks which starts off great, and gets even better as it progresses.

Presenting thoroughly evolved hip hop, the production veers occasionally into Faithless territory which certainly pleases the 90’s kid in me, and the lyricism is exceptional, rooted in the backpacker-poetics stylee which suits a voice reminiscent of Sole.

A quick search for Sadistik shows that he’s on the up, with very good reason to my mind. One of those by whom I must buy everything, eventually, and who’s collaborated with some of the legends of the US weirdo-rap scene.

http://sadistikmusic.com/music/

http://kidcalledcomputer.bandcamp.com/

 
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Kristoff Krane – Picking Flowers Next to Roadkill

Quick recommendation, just to keep the one or two posts a month ticking over on this little endeavour of ours.

The first thing I thought when I kicked US MC Kristoff Krane’s Picking Flowers Next to Roadkill off on the stereo was “Is that Sole?”…I’d never heard KK before, and the resemblance is impossible to ignore.

Having gotten that comparison out of the way, I’ll just say this album is brilliant. Relatively introspective, carefully constructed and nuanced raps over excellently produced eccentric beats, and the occasional upbeat, summery moment.

Kristoff Krane’s clearly very much a rising star, and a contemporary of the (apparently, I’m just discovering him) legendary Eyedea, who’s on PFNTR. His most recent release Fanfaronade is a tour de force of the odd-rap world, featuring Ceschi, Buck 65 and Sage Francis, which I’ll be downloading as soon as I have a spare few quid.

If you like any of the MC’s named in this post, go and download everything you can find by Kristoff Krane:

Go buy Picking Flowers Next to Roadkill here

Or his latest album Fanfaronade here.

 
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VIDEO: The 6 Billion from Twin Lizard (v4)’s The 6 Billion EP

Just released!

The second and final video from The 6 Billion EP (2010), a FREE release from Twin Lizard Version 4. Features Beatmasta Bill on the cuts.

 
Free Music – twinlizard.net
Twt – @twinlizardv4
Facebook – facebook.com/twinlizard

Produced by Witheld Evidence / Antistarr / Onus
Further mixing and remixing by Twin Lizard Version 4 and Maurice Mulligan at Brickbeat Studio.
Video production by Graham Cooling (@yellingatcon) -http://grahamcooling.co.uk/

A blog about this video can be found here:http://twinlizard.blogspot.co.uk/2012/05/video-6-billion-by-twin-lizard-v4.html

Twin Lizard release via the netlabel Needle In The Groove (www.needleinthegroove.net)

 
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KROWNE – Distorted Thoughts – Black Lantern Music

There’s a lot of stuff on the iPod which regales in the car…I’m about to try and change the way it plays me things as it happens. A lot of tracks get about 45 seconds before I click on. Not today though, oh no…

Distorted Thoughts, a small collection from Krowne, one of Black Lantern Music’s producers has kept coming up, and every time I make it all the way through every single one of the tracks, which is by no means a certainty for any record…

Check this one…

Krowne – Total Debunk by KROWNE

It’s loping, busy electro that’s guaranteed to get your head nodding and I can’t recommend it enough. Simple as that really.
Go and download it for free here

Listen to Krowne’s tracks and mixes at Soundcloud

 
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Twin Lizard (v4) feature on Plastic Factory vol 1

The Death Bazooka Plastic Factory compilation vol 1

The Death Bazooka are releasing a series of mixes highlighting some the best Creative Commons music around… hip-hop, electro, ambient, techno, house, freaky jazz and general electronic madness.

Twin Lizard Version 4 feature on the first ever Plastic Factory edition, so go check it out.

Check out the full tracklisting and credits, and download the album here

 

 
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VIDEO: Nemesis from Twin Lizard (v4)’s The 6 Billion

First video from The 6 Billion EP, a FREE release from Twin Lizard Version 4

Free Music – twinlizard.net
Twt – @twinlizardv4
Facebook – facebook.com/twinlizard

Features David Downey of Woke With a Plan and Texture of Black Lantern Music.
Produced by Ioneye and Twin Lizard Version 4.
Video production by Pip Wilson (@pipwilson)

A blog about this video can be found here

Twin Lizard release via the netlabel Needle In The Groove (www.needleinthegroove.net)

 
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Rewired – The Alien Breed

Originally attracted to them by the name, I’ve discovered that not much information abounds the internet about The Alien Breed, who recently released their third freebie via Bandcamp. Their Soundcloud places them in Brandon, Canada and Boston, Massachusetts, but other than that there isn’t much in the way of descriptive wordage about these guys to be found online.

I say they’re an oddball, underground alt-rap act anyway, and whilst Rewired is only a handful of tracks released from the backburner, it’s a worthy effort nevertheless. Veering from tender-I’m-sad to bitter-as-fuck, it’s the sound of angry geeks dealing with girls and broken relationships, and I’m digging it.

The Alien Breed – Rewired EP – 01 Felt Tip by TheAlienBreed

Rewired is full of good, solid delivery from the MC who, as far as I can tell, is called SeveeR. He bears a similarity to Sage Francis, and this is surely six tracks of Personal Journals type stuff, but more overt. Lyrically strong throughout, and there are occasional brilliant one liners that really made me sit up and listen.

Production is tasteful and sparse for the most part, which is good because the only weakness of this collection is slight over-cluttering of their sound on one tune which detracts from the impact of the MC a bit. A minor criticism that though, and it could just as easily have been down to my crappy car stereo.

You can’t go wrong with free music like this, so I’m off to download the rest of their EP’s immediately.

Here’s the acts Soundcloud

Their Bandcamp

And Facebook

 
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